- Home
- Films with Stéphane Querrec
- Video-Installation Works
- Site Specific Works
- Texts and Essays
- ‘Monumental Indifference in Tallinn’ by Paul Wilson
- Excerpt from ‘He Wants to Be Young and Beautiful’ by Katarzyna Kosmala
- ‘Political Refractions: Cities, Societies, and Spectacles in the Work of Anu Pennanen’ by Lolita Jablonskiene
- ‘Les images coup de poing d’Anu Pennanen’ par Lolita Jablonskiene
- ‘Flipperin pyörteessä’ Saara Hacklin
- ‘Artiste en residence, Anu Pennanen a Paris’ par Nathalie Poisson-Cogez
- ‘Sõprus – Дружба (Friendship)’ by Emily Cormack
- ‘Anu Pennanen’ Eva May für Pensée Sauvage – Von Freiheit
- ‘Lentoon lähtöjä’ Henna Paunu
- ‘A Day in the Office’ by Lewis Biggs
- ‘A Monument for the Invisible’ by Cecilie Høgsbro Østergaard
- Bio and contact
A Monument for the Invisible
“A Monument for the Invisible is a 16-mm film starring a blind woman. The film is part of the Monument Project, in which Pennanen investigates Helsinki’s urban environment from a blind person’s perspective. This way, she by-passes the usual emphasis on the visual coding of contemporary urban space, which is now framed in a more intuitive manner. In “A Monument for the Invisible,” the blind Johanna wanders around different parts of the cityscape—the high-tech business area, dominated by the emblematic glass-and-steel office towers, and a construction site where preparations for a large glass shopping mall are being done. Pennanen’s view of the city (subtly underlined by a stark, minimal electronic soundtrack) is distant and slightly inhuman, bare and shiny, but at the same time offering a seductive aesthetic experience. Long, slow pans and tilts caress the architecture’s geometric surfaces, and through aesthetic framing the artist emphasizes the effect of formal repetition and uniformity in today’s architecture. The images strongly appeal to the senses, as if carefully tasting reality before digesting it. The relatively short (12 min.) film has a subtle narrative build-up, that shows the main character ultimately creating her own space in the emphatically three-dimensional environment.
Part of the installation is Windows, which belongs to Pennanen’s Monument Project as well. In Windows, we see images of city residents switching on the light and standing before their windows at night—turning them into actors in a non-existing script.”
Xander Karskens is a curator working for Museum De Hallen Haarlem, The Netherlands.
2-screen video installation. S16 mm colour film transferred to DVD. Duration 12 min 23 sec and 2 min (loop). Sound surround 5.1 and stereo. Dimensions variable. Music by Mika Vainio.